Matthew Arnold

Matthew Arnold

 

Matthew Arnold (24 December 1822 – 15 April 1888) was a British poet and cultural critic who worked as an inspector of schools.  Matthew Arnold frequently wrote on contemporary social issues, using his poetry to influence opinion.  He was also interested in issues of faith and religion, such as found in his most famous poem – Dover Beach.

 

Biography Matthew Arnold

MATTHEW, ARNOLD(1822-1888). Matthew Arnold was the son of Thomas Arnold, who was a noted and innovative headmaster of Rugby school. Matthew Arnold studied at Rugby and Balliol College, Oxford. After graduating he returned to Rugby for a short time to teaching classics In 1851 he married and after this he began work as a schools inspector. This was a demanding job but enabled him to travel widely throughout the UK and Europe.

His early poetic works included Empedocles on Etna(1852) and Poems(1853) these established his reputation as a poet. In 1857 he was appointed to be professor of poetry at Oxford University a post he held for ten years. He was the first professor to lecture in English rather than Latin. During his time as professor of poetry at Oxford Matthew produced many essays of literary criticism such as ‘On Translating Homer’(1861 and 1862), ‘On the Study of Celtic Literature’(1867), and ‘Essays in Celtic Literature’

Matthew Arnold’s writings, to some extent characterized many of the Victorian beliefs with regard to religious faith and morality. However one significant development in his poetry was that he shared with great clarity his own inner feelings. This poetic transparency has had an influence on many other poets such as W.B.Yeats and even Sylvia Plath.

One important theme which runs through the poetry of Matthew Arnold is the issue of faith and the sense of isolation that man can feel without faith. This theme is evident in poems such as ‘Dover Beach‘.

“The sea of faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furl’d.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.”

Whilst Matthew Arnold’s poetry did not have the poetic fire of say Blake or wordsworth his writings are ‘characterised by the finest culture, high purpose, sincerity and a style of great distinction and much of his poetry had ‘an exquisite and subtle beauty’

 

Matthew Arnold Poems

1.A Wish

I ask not that my bed of death
From bands of greedy heirs be free;
For these besiege the latest breath
Of fortune’s favoured sons, not me.

I ask not each kind soul to keep
Tearless, when of my death he hears;
Let those who will, if any, weep!
There are worse plagues on earth than tears.

I ask but that my death may find
The freedom to my life denied;
Ask but the folly of mankind,
Then, at last, to quit my side.

Spare me the whispering, crowded room,
The friends who come, and gape, and go;
The ceremonious air of gloom –
All which makes death a hideous show!

Nor bring, to see me cease to live,
Some doctor full of phrase and fame,
To shake his sapient head and give
The ill he cannot cure a name.

Nor fetch, to take the accustomed toll
Of the poor sinner bound for death,
His brother doctor of the soul,
To canvass with official breath

The future and its viewless things –
That undiscovered mystery
Which one who feels death’s winnowing wings
Must need read clearer, sure, than he!

Bring none of these; but let me be,
While all around in silence lies,
Moved to the window near, and see
Once more before my dying eyes

Bathed in the sacred dew of morn
The wide aerial landscape spread –
The world which was ere I was born,
The world which lasts when I am dead.

Which never was the friend of one,
Nor promised love it could not give,
But lit for all its generous sun,
And lived itself, and made us live.

There let me gaze, till I become
In soul with what I gaze on wed!
To feel the universe my home;
To have before my mind -instead

Of the sick-room, the mortal strife,
The turmoil for a little breath –
The pure eternal course of life,
Not human combatings with death.

Thus feeling, gazing, let me grow
Composed, refreshed, ennobled, clear;
Then willing let my spirit go
To work or wait elsewhere or here!

2. Consolation

MIST clogs the sunshine.
Smoky dwarf houses
Hem me round everywhere;
A vague dejection
Weighs down my soul.

Yet, while I languish,
Everywhere countless
Prospects unroll themselves,
And countless beings
Pass countless moods.

Far hence, in Asia,
On the smooth convent-roofs,
On the gilt terraces,
Of holy Lassa,
Bright shines the sun.

Grey time-worn marbles
Hold the pure Muses;
In their cool gallery,
By yellow Tiber,
They still look fair.

Strange unloved uproar
Shrills round their portal;
Yet not on Helicon
Kept they more cloudless
Their noble calm.

Through sun-proof alleys
In a lone, sand-hemm’d
City of Africa,
A blind, led beggar,
Age-bow’d, asks alms.

No bolder robber
Erst abode ambush’d
Deep in the sandy waste;
No clearer eyesight
Spied prey afar.

Saharan sand-winds
Sear’d his keen eyeballs;
Spent is the spoil he won.
For him the present
Holds only pain.

Two young, fair lovers,
Where the warm June-wind,
Fresh from the summer fields
Plays fondly round them,
Stand, tranced in joy.

With sweet, join’d voices,
And with eyes brimming:
“Ah,” they cry, “Destiny,
Prolong the present!
Time, stand still here!”

The prompt stern Goddess
Shakes her head, frowning;
Time gives his hour-glass
Its due reversal;
Their hour is gone.

With weak indulgence
Did the just Goddess
Lengthen their happiness,
She lengthen’d also
Distress elsewhere.

The hour, whose happy
Unalloy’d moments
I would eternalise,
Ten thousand mourners
Well pleased see end.

The bleak, stern hour,
Whose severe moments
I would annihilate,
Is pass’d by others
In warmth, light, joy.

Time, so complain’d of,
Who to no one man
Shows partiality,
Brings round to all men
Some undimm’d hours.

3. Dover Beach

~

THE sea is calm to-night,
The tide is full, the moon lies fair
Upon the straits; — on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanch’d land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the Aegean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.
The sea of faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furl’d.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.

Ah, love, let us be true
To one another! for the world which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

4. East London

‘Twas August, and the fierce sun overhead
Smote on the squalid streets of Bethnal Green,
And the pale weaver, through his windows seen
In Spitalfields, looked thrice dispirited.
I met a preacher there I knew, and said:
“Ill and o’erworked, how fare you in this scene?” -
“Bravely!” said he; “for I of late have been
Much cheered with thoughts of Christ, the living bread.”
O human soul! as long as thou canst so
Set up a mark of everlasting light,
Above the howling senses’ ebb and flow,
To cheer thee, and to right thee if thou roam -
Not with lost toil thou labourest through the night!
Thou mak’st the heaven thou hop’st indeed thy home.

5. Growing Old

What is it to grow old?
Is it to lose the glory of the form,
The lustre of the eye?
Is it for beauty to forego her wreath?
Yes, but not for this alone.

Is it to feel our strength –
Not our bloom only, but our strength -decay?
Is it to feel each limb
Grow stiffer, every function less exact,
Each nerve more weakly strung?

Yes, this, and more! but not,
Ah, ’tis not what in youth we dreamed ‘twould be!
‘Tis not to have our life
Mellowed and softened as with sunset-glow,
A golden day’s decline!

‘Tis not to see the world
As from a height, with rapt prophetic eyes,
And heart profoundly stirred;
And weep, and feel the fulness of the past,
The years that are no more!

It is to spend long days
And not once feel that we were ever young.
It is to add, immured
In the hot prison of the present, month
To month with weary pain.

It is to suffer this,
And feel but half, and feebly, what we feel:
Deep in our hidden heart
Festers the dull remembrance of a change,
But no emotion -none.

It is -last stage of all –
When we are frozen up within, and quite
The phantom of ourselves,
To hear the world applaud the hollow ghost
Which blamed the living man.

6. Hayeswater

A region desolate and wild.
Black, chafing water: and afloat,
And lonely as a truant child
In a waste wood, a single boat:
No mast, no sails are set thereon;
It moves, but never moveth on:
And welters like a human thing
Amid the wild waves weltering.

Behind, a buried vale doth sleep,
Far down the torrent cleaves its way:
In front the dumb rock rises steep,
A fretted wall of blue and grey;
Of shooting cliff and crumbled stone
With many a wild weed overgrown:
All else, black water: and afloat,
One rood from shore, that single boat.

7. Lines Written In Kensington Gardens

IN this lone, open glade I lie,
Screen’d by deep boughs on either hand;
And at its end, to stay the eye,
Those black-crown’d, red-boled pine-trees stand!

Birds here make song, each bird has his,
Across the girdling city’s hum.
How green under the boughs it is!
How thick the tremulous sheep-cries come!

Sometimes a child will cross the glade
To take his nurse his broken toy;
Sometimes a thrush flit overhead
Deep in her unknown day’s employ.

Here at my feet what wonders pass,
What endless, active life is here!
What blowing daisies, fragrant grass!
An air-stirr’d forest, fresh and clear.

Scarce fresher is the mountain-sod
Where the tired angler lies, stretch’d out,
And, eased of basket and of rod,
Counts his day’s spoil, the spotted trout.

In the huge world, which roars hard by,
Be others happy if they can!
But in my helpless cradle I
Was breathed on by the rural Pan.

I, on men’s impious uproar hurl’d,
Think often, as I hear them rave,
That peace has left the upper world
And now keeps only in the grave.

Yet here is peace for ever new!
When I who watch them am away,
Still all things in this glade go through
The changes of their quiet day.

Then to their happy rest they pass!
The flowers upclose, the birds are fed,
The night comes down upon the grass,
The child sleeps warmly in his bed.

Calm soul of all things! make it mine
To feel, amid the city’s jar,
That there abides a peace of thine,
Man did not make, and cannot mar.

The will to neither strive nor cry,
The power to feel with others give!
Calm, calm me more! nor let me die
Before I have begun to live.

8. Philomela

Hark! ah, the nightingale –
The tawny-throated!
Hark, from that moonlit cedar what a burst!
What triumph! hark! -what pain!

O wanderer from a Grecian shore,
Still, after many years, in distant lands,
Still nourishing in thy bewildered brain
That wild, unquenched, deep-sunken, old-world pain –
Say, will it never heal?
And can this fragrant lawn
With its cool trees, and night,
And the sweet tranquil Thames,
And moonshine, and the dew,
To thy racked heart and brain
Afford no balm?

Dost thou tonight behold,
Here, through the moonlight on this English grass,
The unfriendly palace in the Thracian wild?
Dost thou again peruse
With hot cheeks and seared eyes
The too clear web, and thy dumb sister’s shame?
Dost thou once more assay
Thy flight, and feel come over thee,
Poor fugitive, the feathery change
Once more, and once more seem to make resound
With love and hate, triumph and agony,
Lone Daulis, and the high Cephissian vale?
Listen, Eugenia –
How thick the bursts come crowding through the leaves!
Again -thou hearest?
Eternal passion!
Eternal pain!

9. Shakespeare

Others abide our question. Thou art free.
We ask and ask: Thou smilest and art still,
Out-topping knowledge. For the loftiest hill,
That to the stars uncrowns his majesty,
Planting his steadfast footsteps in the sea,
Making the Heaven of Heavens his dwelling-place,
Spares but the cloudy border of his base
To the foil’d searching of mortality:
And thou, who didst the stars and sunbeams know,
Self-school’d, self-scann’d, self-honour’d, self-secure,
Didst walk on earth unguess’d at. Better so!
All pains the immortal spirit must endure,
All weakness that impairs, all griefs that bow,
Find their sole voice in that victorious brow.

10. The Future

A WANDERER is man from his birth.
He was born in a ship
On the breast of the river of Time;
Brimming with wonder and joy
He spreads out his arms to the light,
Rivets his gaze on the banks of the stream.

As what he sees is, so have his thoughts been.
Whether he wakes,
Where the snowy mountainous pass,
Echoing the screams of the eagles,
Hems in its gorges the bed
Of the new-born clear-flowing stream;
Whether he first sees light
Where the river in gleaming rings
Sluggishly winds through the plain;
Whether in sound of the swallowing sea –
As is the world on the banks,
So is the mind of the man.

Vainly does each, as he glides,
Fable and dream
Of the lands which the river of Time
Had left ere he woke on its breast,
Or shall reach when his eyes have been closed.
Only the tract where he sails
He wots of; only the thoughts,
Raised by the objects he passes, are his.

Who can see the green earth any more
As she was by the sources of Time?
Who imagines her fields as they lay
In the sunshine, unworn by the plough?
Who thinks as they thought,
The tribes who then roam’d on her breast,
Her vigorous, primitive sons?

What girl
Now reads in her bosom as clear
As Rebekah read, when she sate
At eve by the palm-shaded well?
Who guards in her breast
As deep, as pellucid a spring
Of feeling, as tranquil, as sure?

What bard,
At the height of his vision, can deem
Of God, of the world, of the soul,
With a plainness as near,
As flashing as Moses felt
When he lay in the night by his flock
On the starlit Arabian waste?
Can rise and obey
The beck of the Spirit like him?

This tract which the river of Time
Now flows through with us, is the plain.
Gone is the calm of its earlier shore.
Border’d by cities and hoarse
With a thousand cries is its stream.
And we on its breast, our minds
Are confused as the cries which we hear,
Changing and shot as the sights which we see.

And we say that repose has fled
For ever the course of the river of Time.
That cities will crowd to its edge
In a blacker, incessanter line;
That the din will be more on its banks,
Denser the trade on its stream,
Flatter the plain where it flows,
Fiercer the sun overhead.
That never will those on its breast
See an ennobling sight,
Drink of the feeling of quiet again.

But what was before us we know not,
And we know not what shall succeed.

Haply, the river of Time –
As it grows, as the towns on its marge
Fling their wavering lights
On a wider, statelier stream –
May acquire, if not the calm
Of its early mountainous shore,
Yet a solemn peace of its own.

And the width of the waters, the hush
Of the grey expanse where he floats,
Freshening its current and spotted with foam
As it draws to the Ocean, may strike
Peace to the soul of the man on its breast –
As the pale waste widens around him,
As the banks fade dimmer away,
As the stars come out, and the night-wind
Brings up the stream
Murmurs and scents of the infinite sea.

11. The Last Word

Creep into thy narrow bed,
Creep, and let no more be said!
Vain thy onset! all stands fast.
Thou thyself must break at last!

Let the long contention cease!
Geese are swans, and swans are geese.
Let them have it how they will!
Thou art tired; best be still!

They out-talked thee, hissed thee, tore thee?
Better men fared thus before thee;
Fired their ringing shot and passed,
Hotly charged -and sank at last.

Charge once more, then, and be dumb!
Let the victors, when they come,
When thy forts of folly fail,
Find thy body by the wall!

12. The Pagan World

In his cool hall, with haggard eyes,
The Roman noble lay;
He drove abroad, in furious guise,
Along the Appian way.

He made a feast, drank fierce and fast,
And crowned his hair with flowers –
No easier nor no quicker passed
The impracticable hours.

The brooding East with awe beheld
Her impious younger world.
The Roman tempest swelled and swelled,
And on her head was hurled.

The East bowed low before the blast
In patient, deep disdain;
She let the legions thunder past,
And plunged in thought again.

So well she mused, a morning broke
Across her spirit grey;
A conquering, new-born joy awoke,
And filled her life with day.

“Poor world,” she cried, “so deep accurst
That runn’st from pole to pole
To seek a draught to slake thy thirst –
Go, seek it in thy soul!”

She heard it, the victorious West,
In crown and sword arrayed!
She felt the void which mined her breast,
She shivered and obeyed.

She veiled her eagles, snapped her sword,
And laid her sceptre down;
Her stately purple she abhorred,
And her imperial crown.

She broke her flutes, she stopped her sports,
Her artists could not please;
She tore her books, she shut her courts,
She fled her palaces;

Lust of the eye and pride of life
She left it all behind,
And hurried, torn with inward strife,
The wilderness to find.

Tears washed the trouble from her face!
She changed into a child!
Mid weeds and wrecks she stood -a place
Of ruin -but she smiled!

13. The Scholar Gypsy

GO, for they call you, shepherd, from the hill;
Go, shepherd, and untie the wattled cotes!
No longer leave thy wistful flock unfed,
Nor let thy bawling fellows rack their throats,
Nor the cropp’d herbage shoot another head.
But when the fields are still,
And the tired men and dogs all gone to rest,
And only the white sheep are sometimes seen
Cross and recross the strips of moon-blanch’d green.
Come, shepherd, and again begin the quest!

Here, where the reaper was at work of late–
In this high field’s dark corner, where he leaves
His coat, his basket, and his earthen cruse,
And in the sun all morning binds the sheaves,
Then here, at noon, comes back his stores to use–
Here will I sit and wait,
While to my ear from uplands far away
The bleating of the folded flocks is borne,
With distant cries of reapers in the corn–
All the live murmur of a summer’s day.

Screen’d is this nook o’er the high, half-reap’d field,
And here till sun-down, shepherd! will I be.
Through the thick corn the scarlet poppies peep,
And round green roots and yellowing stalks I see
Pale pink convolvulus in tendrils creep;
And air-swept lindens yield
Their scent, and rustle down their perfumed showers
Of bloom on the bent grass where I am laid,
And bower me from the August sun with shade;
And the eye travels down to Oxford’s towers.

And near me on the grass lies Glanvil’s book–
Come, let me read the oft-read tale again!
The story of the Oxford scholar poor,
Of pregnant parts and quick inventive brain,
Who, tired of knocking at preferment’s door,
One summer-morn forsook
His friends, and went to learn the gipsy-lore,
And roam’d the world with that wild brotherhood,
And came, as most men deem’d, to little good,
But came to Oxford and his friends no more.

But once, years after, in the country-lanes,
Two scholars, whom at college erst he knew,
Met him, and of his way of life enquired;
Whereat he answer’d, that the gipsy-crew,
His mates, had arts to rule as they desired
The workings of men’s brains,
And they can bind them to what thoughts they will.
“And I,” he said, “the secret of their art,
When fully learn’d, will to the world impart;
But it needs heaven-sent moments for this skill.”

This said, he left them, and return’d no more.–
But rumours hung about the country-side,
That the lost Scholar long was seen to stray,
Seen by rare glimpses, pensive and tongue-tied,
In hat of antique shape, and cloak of grey,
The same the gipsies wore.
Shepherds had met him on the Hurst in spring;
At some lone alehouse in the Berkshire moors,
On the warm ingle-bench, the smock-frock’d boors
Had found him seated at their entering,

But, ‘mid their drink and clatter, he would fly.
And I myself seem half to know thy looks,
And put the shepherds, wanderer! on thy trace;
And boys who in lone wheatfields scare the rooks
I ask if thou hast pass’d their quiet place;
Or in my boat I lie
Moor’d to the cool bank in the summer-heats,
‘Mid wide grass meadows which the sunshine fills,
And watch the warm, green-muffled Cumner hills,
And wonder if thou haunt’st their shy retreats.

For most, I know, thou lov’st retired ground!
Thee at the ferry Oxford riders blithe,
Returning home on summer-nights, have met
Crossing the stripling Thames at Bab-lock-hithe,
Trailing in the cool stream thy fingers wet,
As the punt’s rope chops round;
And leaning backward in a pensive dream,
And fostering in thy lap a heap of flowers
Pluck’d in shy fields and distant Wychwood bowers,
And thine eyes resting on the moonlit stream.

And then they land, and thou art seen no more!–
Maidens, who from the distant hamlets come
To dance around the Fyfield elm in May,
Oft through the darkening fields have seen thee roam,
Or cross a stile into the public way.
Oft thou hast given them store
Of flowers–the frail-leaf’d, white anemony,
Dark bluebells drench’d with dews of summer eves,
And purple orchises with spotted leaves–
But none hath words she can report of thee.

And, above Godstow Bridge, when hay-time’s here
In June, and many a scythe in sunshine flames,
Men who through those wide fields of breezy grass
Where black-wing’d swallows haunt the glittering Thames,
To bathe in the abandon’d lasher pass,
Have often pass’d thee near
Sitting upon the river bank o’ergrown;
Mark’d thine outlandish garb, thy figure spare,
Thy dark vague eyes, and soft abstracted air–
But, when they came from bathing, thou wast gone!

At some lone homestead in the Cumner hills,
Where at her open door the housewife darns,
Thou hast been seen, or hanging on a gate
To watch the threshers in the mossy barns.
Children, who early range these slopes and late
For cresses from the rills,
Have known thee eyeing, all an April-day,
The springing pasture and the feeding kine;
And mark’d thee, when the stars come out and shine,
Through the long dewy grass move slow away.

In autumn, on the skirts of Bagley Wood–
Where most the gipsies by the turf-edged way
Pitch their smoked tents, and every bush you see
With scarlet patches tagg’d and shreds of grey,
Above the forest-ground called Thessaly–
The blackbird, picking food,
Sees thee, nor stops his meal, nor fears at all;
So often has he known thee past him stray,
Rapt, twirling in thy hand a wither’d spray,
And waiting for the spark from heaven to fall.

And once, in winter, on the causeway chill
Where home through flooded fields foot-travellers go,
Have I not pass’d thee on the wooden bridge,
Wrapt in thy cloak and battling with the snow,
Thy face tow’rd Hinksey and its wintry ridge?
And thou has climb’d the hill,
And gain’d the white brow of the Cumner range;
Turn’d once to watch, while thick the snowflakes fall,
The line of festal light in Christ-Church hall–
Then sought thy straw in some sequester’d grange.

But what–I dream! Two hundred years are flown
Since first thy story ran through Oxford halls,
And the grave Glanvil did the tale inscribe
That thou wert wander’d from the studious walls
To learn strange arts, and join a gipsy-tribe;
And thou from earth art gone
Long since, and in some quiet churchyard laid–
Some country-nook, where o’er thy unknown grave
Tall grasses and white flowering nettles wave,
Under a dark, red-fruited yew-tree’s shade.

–No, no, thou hast not felt the lapse of hours!
For what wears out the life of mortal men?
‘Tis that from change to change their being rolls;
‘Tis that repeated shocks, again, again,
Exhaust the energy of strongest souls
And numb the elastic powers.
Till having used our nerves with bliss and teen,
And tired upon a thousand schemes our wit,
To the just-pausing Genius we remit
Our worn-out life, and are–what we have been.

Thou hast not lived, why should’st thou perish, so?
Thou hadst one aim, one business, one desire;
Else wert thou long since number’d with the dead!
Else hadst thou spent, like other men, thy fire!
The generations of thy peers are fled,
And we ourselves shall go;
But thou possessest an immortal lot,
And we imagine thee exempt from age
And living as thou liv’st on Glanvil’s page,
Because thou hadst–what we, alas! have not.

For early didst thou leave the world, with powers
Fresh, undiverted to the world without,
Firm to their mark, not spent on other things;
Free from the sick fatigue, the languid doubt,
Which much to have tried, in much been baffled, brings.
O life unlike to ours!
Who fluctuate idly without term or scope,
Of whom each strives, nor knows for what he strives,
And each half lives a hundred different lives;
Who wait like thee, but not, like thee, in hope.

Thou waitest for the spark from heaven! and we,
Light half-believers of our casual creeds,
Who never deeply felt, nor clearly will’d,
Whose insight never has borne fruit in deeds,
Whose vague resolves never have been fulfill’d;
For whom each year we see
Breeds new beginnings, disappointments new;
Who hesitate and falter life away,
And lose to-morrow the ground won to-day–
Ah! do not we, wanderer! await it too?

Yes, we await it!–but it still delays,
And then we suffer! and amongst us one,
Who most has suffer’d, takes dejectedly
His seat upon the intellectual throne;
And all his store of sad experience he
Lays bare of wretched days;
Tells us his misery’s birth and growth and signs,
And how the dying spark of hope was fed,
And how the breast was soothed, and how the head,
And all his hourly varied anodynes.

This for our wisest! and we others pine,
And wish the long unhappy dream would end,
And waive all claim to bliss, and try to bear;
With close-lipp’d patience for our only friend,
Sad patience, too near neighbour to despair–
But none has hope like thine!
Thou through the fields and through the woods dost stray,
Roaming the country-side, a truant boy,
Nursing thy project in unclouded joy,
And every doubt long blown by time away.

O born in days when wits were fresh and clear,
And life ran gaily as the sparkling Thames;
Before this strange disease of modern life,
With its sick hurry, its divided aims,
Its heads o’ertax’d, its palsied hearts, was rife–
Fly hence, our contact fear!
Still fly, plunge deeper in the bowering wood!
Averse, as Dido did with gesture stern
From her false friend’s approach in Hades turn,
Wave us away, and keep thy solitude!

Still nursing the unconquerable hope,
Still clutching the inviolable shade,
With a free, onward impulse brushing through,
By night, the silver’d branches of the glade–
Far on the forest-skirts, where none pursue,
On some mild pastoral slope
Emerge, and resting on the moonlit pales
Freshen thy flowers as in former years
With dew, or listen with enchanted ears,
From the dark dingles, to the nightingales!

But fly our paths, our feverish contact fly!
For strong the infection of our mental strife,
Which, though it gives no bliss, yet spoils for rest;
And we should win thee from thy own fair life,
Like us distracted, and like us unblest.
Soon, soon thy cheer would die,
Thy hopes grow timorous, and unfix’d thy powers,
And thy clear aims be cross and shifting made;
And then thy glad perennial youth would fade,
Fade and grow old at last, and die like ours.

Then fly our greetings, fly our speech and smiles!
–As some grave Tyrian trader, from the sea,
Descried at sunrise an emerging prow
Lifting the cool-hair’d creepers stealthily,
The fringes of a southward-facing brow
Among the Ægæan Isles;
And saw the merry Grecian coaster come,
Freighted with amber grapes, and Chian wine,
Green, bursting figs, and tunnies steep’d in brine–
And knew the intruders on his ancient home,

The young light-hearted masters of the waves–
And snatch’d his rudder, and shook out more sail;
And day and night held on indignantly
O’er the blue Midland waters with the gale,
Betwixt the Syrtes and soft Sicily,
To where the Atlantic raves
Outside the western straits; and unbent sails
There, where down cloudy cliffs, through sheets of foam,
Shy traffickers, the dark Iberians come;
And on the beach undid his corded bales.

14. The Voice

As the kindling glances,
Queen-like and clear,
Which the bright moon lances
From her tranquil sphere
At the sleepless waters
Of a lonely mere,
On the wild whirling waves, mournfully, mournfully,
Shiver and die.

As the tears of sorrow
Mothers have shed –
Prayers that tomorrow
Shall in vain be sped
When the flower they flow for
Lies frozen and dead –
Fall on the throbbing brow, fall on the burning breast,
Bringing no rest.

Like bright waves that fall
With a lifelike motion
On the lifeless margin of the sparkling Ocean;
A wild rose climbing up a mouldering wall –
A gush of sunbeams through a ruined hall –
Strains of glad music at a funeral –
So sad, and with so wild a start
To this deep-sobered heart,
So anxiously and painfully,
So drearily and doubtfully,
And oh, with such intolerable change
Of thought, such contrast strange,
O unforgotten voice, thy accents come,
Like wanderers from the world’s extremity,
Unto their ancient home!

In vain, all, all in vain,
They beat upon mine ear again,
Those melancholy tones so sweet and still.
Those lute-like tones which in the bygone year
Did steal into mine ear –
Blew such a thrilling summons to my will,
Yet could not shake it;
Made my tost heart its very life-blood spill,
Yet could not break it.

15. To Marguerite

Yes! in the sea of life enisled,
With echoing straits between us thrown,
Dotting the shoreless watery wild,
We mortal millions live alone.
The islands feel the enclasping flow,
And then their endless bounds they know.

But when the moon their hollows lights,
And they are swept by balms of spring,
And in their glens, on starry nights,
The nightingales divinely sing;
And lovely notes, from shore to shore,
Across the sounds and channels pour -

Oh! then a longing like despair
Is to their farthest caverns sent;
For surely once, they feel, we were
Parts of a single continent!
Now round us spreads the watery plain –
Oh, might our marges meet again!

Who ordered, that their longing’s fire
Should be, as soon as kindled, cooled?
Who renders vain their deep desire? –
A god, a god their severance ruled!
And bade betwixt their shores to be
The unplumbed, salt, estranging sea.