Sunday, July 21, 2013

William Shakespeare & poems


William Shakespeare

William Shakespeare (1564 – 1616) -  Poet and playwright. Widely regarded as the greatest writer in the English language.

Information about the life of William Shakespeare is often open to doubt. Some even doubt whether he wrote all plays ascribed to him. From the best available sources it seems William Shakespeare was born in Stratford on about April 23rd 1564. His father William was a successful local businessman and his mother Mary was the daughter of a landowner. Relatively prosperous it is likely the family paid for Williams education, although there is no evidence he attended university.

In 1582 William, aged only 18, married an older woman (26) named Anne Hathaway. Soon after they had there first daughter, Susanna. They had another 2 children but William’s only son Hamnet died aged only 11.

After his marriage information about the life of Shakespeare is sketchy but it seems he spent most of his time in London writing and performing in his plays. It seemed he didn’t mind being absent from his family. Only returning home during Lent when all theatres were closed. It is generally thought that during the 1590s he wrote the majority of his sonnets. This was a time of prolific writing and his plays developed a good deal of interest and controversy. Due to some well timed investments he was able to secure a firm financial background leaving time for writing and acting. The best of these investments was buying some real estate near Stratford in 1605, this soon doubled in value.

Some academics known as the ‘Oxfords’ claim that Shakespeare never actually wrote any plays they suggest names such as Edward de Vere. They contend Shakespeare was actually just a successful businessman. Nevertheless there is some evidence of Shakespeare in theatres as he received a variety of criticism from people such as Ben Johnson and Robert Greene.

Shakespeare the Poet

William Shakespeare wrote 154 Sonnets mostly in the 1590s. Fairly short poems they deal with issues such as lost love. His sonnets have an enduring appeal with his characteristic skill with language and words.

‘Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:’

- Sonnet CXVI

The Plays of Shakespeare

The plays of Shakespeare have been studied more than any other writing in the English language and have been translated into numerous languages. He was rare as a play-write for excelling in tragedies, comedies and histories. He deftly combined popular entertainment with a rare poetic capacity for expression which is almost mantric in quality.

“This above all: to thine ownself be true,
And it must follow, as the night the day,
Thou canst not then be false to any man.
Farewell: my blessing season this in thee!”

–Lord Polonius, Hamlet Act I, Scene 3

During his lifetime Shakespeare was not without controversy, but he also received lavish praise for his plays which were very popular and commercially successful.

Shakespear3 died in 1664 it is not clear how he died although his vicar suggested it was from heavy drinking. His tombstone is marked with the following epitaph;

Good friend for Jesus sake forbeare
To digg the dust encloased heare
Blessed by y man y spares hes stones
And curst be he y moves my bones

It is true to say that each line of Shakespeare has been poured over by scholars and students no idea or concept has been left unturned. Shakespeare has left a profound and lasting impact on literature, cinema and theatre.

- Tejvan Pettinger April, 2006

Poem

1.Against My Love

63

Against my love shall be as I am now,
With Time’s injurious hand crush’d and o’erworn;
When hours have drain’d his blood and fill’d his brow
With lines and wrinkles; when his youthful morn
Hath travell’d on to age’s steepy night;
And all those beauties whereof now he’s king
Are vanishing, or vanished out of sight,
Stealing away the treasure of his spring;
For such a time do I now fortify
Against confounding age’s cruel knife,
That he shall never cut from memory
My sweet love’s beauty, though my lover’s life:
His beauty shall in these black lines be seen,
And they shall live, and he in them still green.

2. No Longer Mourn for Me

No longer mourn for me when I am dead
Then you shall hear the surly sullen bell
Give warning to the world that I am fled
From this vile world, with vilest worms to dwell:
Nay, if you read this line, remember not
The hand that writ it; for I love you so
That I in your sweet thoughts would be forgot
If thinking on me then should make you woe.
O, if, I say, you look upon this verse
When I perhaps compounded am with clay,
Do not so much as my poor name rehearse.
But let your love even with my life decay,
Lest the wise world should look into your moan
And mock you with me after I am gone.

3. But wherefore do not you a mightier way

But wherefore do not you a mightier way
Make war upon this bloody tyrant, Time?
And fortify yourself in your decay
With means more blessed than my barren rhyme?
Now stand you on the top of happy hours,
And many maiden gardens yet unset
With virtuous wish would bear your living flowers,
Much liker than your painted counterfeit:
So should the lines of life that life repair,
Which this, Time’s pencil, or my pupil pen,
Neither in inward worth nor outward fair,
Can make you live yourself in eyes of men.
To give away yourself keeps yourself still,
And you must live, drawn by your own sweet skill.

4. Love is my Sin

CXLII.

Love is my sin and thy dear virtue hate,
Hate of my sin, grounded on sinful loving:
O, but with mine compare thou thine own state,
And thou shalt find it merits not reproving;
Or, if it do, not from those lips of thine,
That have profaned their scarlet ornaments
And seal’d false bonds of love as oft as mine,
Robb’d others’ beds’ revenues of their rents.
Be it lawful I love thee, as thou lovest those
Whom thine eyes woo as mine importune thee:
Root pity in thy heart, that when it grows
Thy pity may deserve to pitied be.
If thou dost seek to have what thou dost hide,
By self-example mayst thou be denied!

5. Cupid laid by his brand

Cupid laid by his brand, and fell asleep:
A maid of Dian’s this advantage found,
And his love-kindling fire did quickly steep
In a cold valley-fountain of that ground;
Which borrow’d from this holy fire of Love
A dateless lively heat, still to endure,
And grew a seething bath, which yet men prove
Against strange maladies a sovereign cure.
But at my mistress’ eye Love’s brand new-fired,
The boy for trial needs would touch my breast;
I, sick withal, the help of bath desired,
And thither hied, a sad distemper’d guest,
But found no cure: the bath for my help lies
Where Cupid got new fire–my mistress’ eyes.

6. So are you to my thoughts

So are you to my thoughts as food to life,
Or as sweet-season’d showers are to the ground;
And for the peace of you I hold such strife
As ‘twixt a miser and his wealth is found;
Now proud as an enjoyer and anon
Doubting the filching age will steal his treasure,
Now counting best to be with you alone,
Then better’d that the world may see my pleasure;
Sometime all full with feasting on your sight
And by and by clean starved for a look;
Possessing or pursuing no delight,
Save what is had or must from you be took.
Thus do I pine and surfeit day by day,
Or gluttoning on all, or all away.

7. From fairest creatures

FROM fairest creatures we desire increase
That thereby beauty’s rose might never die,
But as the riper should by time decease,
His tender heir might bear his memory:
But thou contracted to thine own bright eyes,         
Feed’st thy light’s flame with self-substantial fuel,
Making a famine where abundance lies,
Thyself thy foe, to thy sweet self too cruel.
Thou that art now the world’s fresh ornament
And only herald to the gaudy spring,  
Within thine own bud buriest thy content,
And, tender churl, mak’st waste in niggarding.
  Pity the world, or else this glutton be,
  To eat the world’s due, by the grave and thee.

8. That God Forbid

57

That god forbid, that made me first your slave,
I should in thought control your times of pleasure,
Or at your hand the account of hours to crave,
Being your vassal, bound to stay your leisure!
O! let me suffer, being at your beck,
The imprison’d absence of your liberty;
And patience, tame to sufferance, bide each check,
Without accusing you of injury.
Be where you list, your charter is so strong
That you yourself may privilege your time
To what you will; to you it doth belong
Yourself to pardon of self-doing crime.
I am to wait, though waiting so be hell,
Not blame your pleasure be it ill or well.

9. I Love Thee not

Canst thou, O cruel! say I love thee not,
When I against myself with thee partake?
Do I not think on thee, when I forgot
Am of myself, all tyrant, for thy sake?
Who hateth thee that I do call my friend?
On whom frown’st thou that I do fawn upon?
Nay, if thou lour’st on me, do I not spend
Revenge upon myself with present moan?
What merit do I in myself respect,
That is so proud thy service to despise,
When all my best doth worship thy defect,
Commanded by the motion of thine eyes?
But, love, hate on, for now I know thy mind;
Those that can see thou lovest, and I am blind.

 

10. That time of year

That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruin’d choirs, where late the sweet birds sang.
In me thou seest the twilight of such day
As after sunset fadeth in the west,
Which by and by black night doth take away,
Death’s second self, that seals up all in rest.
In me thou see’st the glowing of such fire
That on the ashes of his youth doth lie,
As the death-bed whereon it must expire
Consumed with that which it was nourish’d by.
This thou perceivest, which makes thy love more strong,
To love that well which thou must leave ere long.

11.  I never saw that you

I never saw that you did painting need
And therefore to your fair no painting set;
I found, or thought I found, you did exceed
The barren tender of a poet’s debt;
And therefore have I slept in your report,
That you yourself being extant well might show
How far a modern quill doth come too short,
Speaking of worth, what worth in you doth grow.
This silence for my sin you did impute,
Which shall be most my glory, being dumb;
For I impair not beauty being mute,
When others would give life and bring a tomb.
There lives more life in one of your fair eyes
Than both your poets can in praise devise.

12. The little Love-god lying

The little Love-god lying once asleep
Laid by his side his heart-inflaming brand,
Whilst many nymphs that vow’d chaste life to keep
Came tripping by; but in her maiden hand
The fairest votary took up that fire
Which many legions of true hearts had warm’d;
And so the general of hot desire
Was sleeping by a virgin hand disarm’d.
This brand she quenched in a cool well by,
Which from Love’s fire took heat perpetual,
Growing a bath and healthful remedy
For men diseased; but I, my mistress’ thrall,
Came there for cure, and this by that I prove,
Love’s fire heats water, water cools not love.

13. In loving thee

In loving thee thou know’st I am forsworn,
But thou art twice forsworn, to me love swearing,
In act thy bed-vow broke and new faith torn,
In vowing new hate after new love bearing.
But why of two oaths’ breach do I accuse thee,
When I break twenty? I am perjured most;
For all my vows are oaths but to misuse thee
And all my honest faith in thee is lost,
For I have sworn deep oaths of thy deep kindness,
Oaths of thy love, thy truth, thy constancy,
And, to enlighten thee, gave eyes to blindness,
Or made them swear against the thing they see;
For I have sworn thee fair; more perjured I,
To swear against the truth so foul a lie!

14. Shall I compare thee to a summer’s day?

Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date.
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed;
And every fair from fair sometime declines,
By chance, or nature’s changing course, untrimmed;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow’st,
Nor shall death brag thou wand’rest in his shade,
When in eternal lines to Time thou grow’st.
So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.

15. Is it Thy Will

61

Is it thy will, thy image should keep open
My heavy eyelids to the weary night?
Dost thou desire my slumbers should be broken,
While shadows like to thee do mock my sight?
Is it thy spirit that thou send’st from thee
So far from home into my deeds to pry,
To find out shames and idle hours in me,
The scope and tenor of thy jealousy?
O, no! thy love, though much, is not so great:
It is my love that keeps mine eye awake:
Mine own true love that doth my rest defeat,
To play the watchman ever for thy sake:
For thee watch I, whilst thou dost wake elsewhere,
From me far off, with others all too near.

16. Tired with all these

66

Tired with all these, for restful death I cry,
As to behold desert a beggar born,
And needy nothing trimm’d in jollity,
And purest faith unhappily forsworn,
And gilded honour shamefully misplac’d,
And maiden virtue rudely strumpeted,
And right perfection wrongfully disgrac’d,
And strength by limping sway disabled
And art made tongue-tied by authority,
And folly, doctor-like, controlling skill,
And simple truth miscall’d simplicity,
And captive good attending captain ill:
Tir’d with all these, from these would I be gone,
Save that, to die, I leave my love alone.

17. Lake as the Waves

40

Like as the waves make towards the pebbled shore,

So do our minutes hasten to their end,

Each changing place with that which goes before

In sequent toil all forwards do contend.

Nativity, once in the main of light,

Crawls to maturity, wherewith, being crowned,

Crooked eclipses ‘gainst his glory fight

And Time that gave, doth now his gift confound.

Time doth transfix the flourish set on youth,

And delves the parallels in beauty’s brow,

Feeds on the rarities of natures truth,

And nothing stands but for his scythe to mow;

And yet, to times, in hope, my verse shall stand,

Praising thy worth, despite his cruel hand.

18. When thou shalt be disposed

When thou shalt be disposed to set me light,
And place my merit in the eye of scorn,
Upon thy side against myself I’ll fight,
And prove thee virtuous, though thou art forsworn.
With mine own weakness being best acquainted,
Upon thy part I can set down a story
Of faults conceal’d, wherein I am attainted,
That thou in losing me shalt win much glory:
And I by this will be a gainer too;
For bending all my loving thoughts on thee,
The injuries that to myself I do,
Doing thee vantage, double-vantage me.
Such is my love, to thee I so belong,
That for thy right myself will bear all wrong.

19. When, in disgrace with fortune

When, in disgrace with fortune and men’s eyes,
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself and curse my fate,
Wishing me like to one more rich in hope,
Featured like him, like him with friends possessed,
Desiring this man’s art and that man’s scope,
With what I most enjoy contented least:
Yet in these thoughts myself almost despising,
Haply I think on thee, and then my state,
Like to the lark at break of day arising
From sullen earth, sings hymns at heaven’s gate;
For thy sweet love remembered such wealth brings
That then I scorn to change my state with kings’.

Sonnet no.29 by W. Shakespeare

20. Like as the Waves

Like as the waves make towards the pebbled shore,
So do our minutes hasten to their end,
Each changing place with that which goes before
In sequent toil all forwards do contend.
Nativity, once in the main of light,
Crawls to maturity, wherewith, being crowned,
Crooked eclipses ‘gainst his glory fight
And Time that gave, doth now his gift confound.
Time doth transfix the flourish set on youth,
And delves the parallels in beauty’s brow,
Feeds on the rarities of natures truth,
And nothing stands but for his scythe to mow;
And yet, to times, in hope, my verse shall stand,
Praising thy worth, despite his cruel hand.

21. Where Art Thou Muse

100

Where art thou Muse that thou forget’st so long,
To speak of that which gives thee all thy might?
Spend’st thou thy fury on some worthless song,
Darkening thy power to lend base subjects light?
Return forgetful Muse, and straight redeem,
In gentle numbers time so idly spent;
Sing to the ear that doth thy lays esteem
And gives thy pen both skill and argument.
Rise, resty Muse, my love’s sweet face survey,
If Time have any wrinkle graven there;
If any, be a satire to decay,
And make time’s spoils despised every where.
Give my love fame faster than Time wastes life,
So thou prevent’st his scythe and crooked knife.

 

Saturday, July 20, 2013

RUDYARD KIPLING


RUDYARD KIPLING
Rudyard Kipling (1865 -1936) was an English short-story writer, poet, and novelist. Many of his stories were based on his life in India. To some Kipling was a prophet of British Imperialism, but whatever his political views, his literary talents are widely admired.

 

English short-story writer, novelist and poet, remembered for his celebration of British imperialism and heroism in India and Burma. Kipling was the first Englishman to receive the Nobel Prize for Literature (1907). His most popular works include THE JUNGLE BOOK (1894) and the JUST SO STORIES (1902), a collection of tales about how animals came to be the way they are today.
Rudyard Kipling was born in Bombay, India, where his father was an arts and crafts teacher at the Jeejeebhoy School of Art. His mother was a sister-in-law of the painter Edward Burne-Jones. India was at that time ruled by the British.

Kipling’s writings at the age of thirteen were influenced by the pre-Raphaelites. At the age of six he was taken to England by his parents and left for five years at a foster home at Southsea. His unhappiness at the unkind treatment he received was later expressed in the short story ‘Baa Baa, Black Sheep’, in the novel THE LIGHT THAT FAILED (1890), and in his autobiography (1937).

In 1878 Kipling entered United Services College, a boarding school in North Devon. It was an expensive institution that specialized in training for entry into military academies. His poor eyesight and mediocre results as a student ended hopes about military career. However, these years Kipling recalled in lighter tone in one of his most popular books, STALKY & CO (1899).

Kipling returned to India in 1882, where he worked as a journalist in Lahore for Civil and Military Gazette (1882-87) and an assistant editor and overseas correspondent in Allahabad for Pioneer (1887-89). Kilping’s short stories and verses gained success in the late 1880s in England, to which he returned in 1889, and was hailed as a literary heir to Charles Dickens.

In 1892 Kipling married Caroline Starr Balestier, the sister of an American published and writer, with whom he collaborated a novel, THE NAULAHKA (1892). The young couple moved to the United States. Kipling was dissatisfied with the life in Vermont, and after the death of his daughter, Kipling took his family back to England and settled in Burwash, Sussex. Kipling’s marriage was not in all respects happy. The author was dominated by his wife who disliked the vulgar aspects of her husband’s character. Kipling invented a persona acceptable to public and developed in his works his ideal man of action. During these restless years Kilping produced MANY INVENTIONS (1893), JUNGLE BOOK (1894), a collection of animal stories for children, THE SECOND JUNGLE BOOK (1895), and THE SEVEN SEAS (1896).

Widely regarded as unofficial poet laureate, Kipling refused this and many honors, among them the Order of Merit. During the Boer War in 1899 Kilping spent several months in South Africa. In 1902 he moved to Sussex, also spending time in South Africa, where he was given a house by Cecil Rhodes, the influental British colonial statesman. In 1901 appeared KIM, widely considered Kipling’s best novel. The story, set in India, depicted adventures of an orphaned son of a sergeant in an Irish regiment.

Soon after Kipling had received the Nobel Prize, his output of fiction and poems began to decline. His son was killed in the World War I, and in 1923 Kipling published THE IRISH GUARDS IN THE GREAT WAR, a history of his son’s regiment. Between the years 1922 and 1925 he was a rector at the University of St. Andrews. Kipling died on January 18, 1936 in London, and was buried in Poet’s Corner at Westminster Abbey. Kipling’s autobiography, SOMETHING OF MYSELF, appeared posthumously in 1937.

Kipling’s glorification of the British empire and racial prejudices, stated in his poem ‘The White Man’s Burden’ (1899), has repelled many readers, and made uneasy also such admirers as W.B. Yeats and T.S. Eliot. However, readers loved Kipling’s romantic tales about the adventures of Englishmen in strange and distant parts of the world. His most uncontroversial books are considered his tales for children. His own children appeared in the stories as Dan and Una – the death of ‘Dan’ in the WW I darkened author’s later life. Characteristic for Kilping’s work is realism, added with acute observation of men and landscapes, exploration of myth and fantasy, and sharp, racy style.

Selected poems-

1.A Pilgrim’s way-

I do not look for holy saints to guide me on my way,
Or male and female devilkins to lead my feet astray.
If these are added, I rejoice—if not, I shall not mind,
So long as I have leave and choice to meet my fellow-kind.
For as we come and as we go (and deadly-soon go we!)
The people, Lord, Thy people, are good enough for me!

Thus I will honour pious men whose virtue shines so bright
(Though none are more amazed than I when I by chance do right),
And I will pity foolish men for woe their sins have bred
(Though ninety-nine per cent. of mine I brought on my own head).
And, Amorite or Eremite, or General Averagee,
The people, Lord, Thy people, are good enough for me!

And when they bore me overmuch, I will not shake mine ears,
Recalling many thousand such whom I have bored to tears.
And when they labour to impress, I will not doubt nor scoff;
Since I myself have done no less and—sometimes pulled it off.
Yea, as we are and we are not, and we pretend to be,
The people, Lord, Thy people, are good enough for me!

And when they work me random wrong, as oftentimes hath been,
I will not cherish hate too long (my hands are none too clean).
And when they do me random good I will not feign surprise.
No more than those whom I have cheered with wayside charities.
But, as we give and as we take—whate’er our takings be—
The people, Lord, Thy people, are good enough for me!

But when I meet with frantic folk who sinfully declare
There is no pardon for their sin, the same I will not spare
Till I have proved that Heaven and Hell which in our hearts we have
Show nothing irredeemable on either side of the grave.
For as we live and as we die—if utter Death there be—
The people, Lord, Thy people, are good enough for me!

Deliver me from every pride—the Middle, High, and Low—
That bars me from a brother’s side, whatever pride he show.
And purge me from all heresies of thought and speech and pen
That bid me judge him otherwise than I am judged. Amen!
That I may sing of Crowd or King or road-borne company,
That I may labour in my day, vocation and degree,
To prove the same in deed and name, and hold unshakenly
(Where’er I go, whate’er I know, whoe’er my neighbor be)
This single faith in Life and Death and to Eternity:
“The people, Lord, Thy people, are good enough for me!”

 

2. Cells

I’ve a head like a concertina: I’ve a tongue like a button-stick:
I’ve a mouth like an old potato, and I’m more than a little sick,
But I’ve had my fun o’ the Corp’ral’s Guard: I’ve made the cinders fly,
And I’m here in the Clink for a thundering drink
and blacking the Corporal’s eye.
With a second-hand overcoat under my head,
And a beautiful view of the yard,
O it’s pack-drill for me and a fortnight’s C.B.
For “drunk and resisting the Guard!”
Mad drunk and resisting the Guard –
‘Strewth, but I socked it them hard!
So it’s pack-drill for me and a fortnight’s C.B.
For “drunk and resisting the Guard.”

I started o’ canteen porter, I finished o’ canteen beer,
But a dose o’ gin that a mate slipped in, it was that that brought me here.
‘Twas that and an extry double Guard that rubbed my nose in the dirt;
But I fell away with the Corp’ral’s stock
and the best of the Corp’ral’s shirt.

I left my cap in a public-house, my boots in the public road,
And Lord knows where, and I don’t care, my belt and my tunic goed;
They’ll stop my pay, they’ll cut away the stripes I used to wear,
But I left my mark on the Corp’ral’s face, and I think he’ll keep it there!

My wife she cries on the barrack-gate, my kid in the barrack-yard,
It ain’t that I mind the Ord’ly room — it’s ~that~ that cuts so hard.
I’ll take my oath before them both that I will sure abstain,
But as soon as I’m in with a mate and gin, I know I’ll do it again!
With a second-hand overcoat under my head,
And a beautiful view of the yard,
Yes, it’s pack-drill for me and a fortnight’s C.B.
For “drunk and resisting the Guard!”
Mad drunk and resisting the Guard –
‘Strewth, but I socked it them hard!
So it’s pack-drill for me and a fortnight’s C.B.
For “drunk and resisting the Guard.”

 

3. Cities and Thrones And Powers

 

Cities and Thrones and Powers,
Stand in Time’s eye,
Almost as long as flowers,
Which daily die:
But, as new buds put forth,
To glad new men,
Out of the spent and unconsidered Earth, The Cities rise again.

This season’s Daffodil,
She never hears
What change, what chance, what chill,
Cut down last year’s:
But with bold countenance,
And knowledge small,
Esteems her seven days’ continuance
To be perpetual.

So time that is o’er kind,
To all that be,
Ordains us e’en as blind,
As bold as she:
That in our very death,
And burial sure,
Shadow to shadow, well-persuaded, saith, “See how our works endure!”

4.Danny Deever

“What are the bugles blowin’ for?” said Files-on-Parade.
“To turn you out, to turn you out”, the Colour-Sergeant said.
“What makes you look so white, so white?” said Files-on-Parade.
“I’m dreadin’ what I’ve got to watch”, the Colour-Sergeant said.
For they’re hangin’ Danny Deever, you can hear the Dead March play,
The regiment’s in ‘ollow square — they’re hangin’ him to-day;
They’ve taken of his buttons off an’ cut his stripes away,
An’ they’re hangin’ Danny Deever in the mornin’.

“What makes the rear-rank breathe so ‘ard?” said Files-on-Parade.
“It’s bitter cold, it’s bitter cold”, the Colour-Sergeant said.
“What makes that front-rank man fall down?” said Files-on-Parade.
“A touch o’ sun, a touch o’ sun”, the Colour-Sergeant said.
They are hangin’ Danny Deever, they are marchin’ of ‘im round,
They ‘ave ‘alted Danny Deever by ‘is coffin on the ground;
An’ ‘e’ll swing in ‘arf a minute for a sneakin’ shootin’ hound –
O they’re hangin’ Danny Deever in the mornin’!

“‘Is cot was right-’and cot to mine”, said Files-on-Parade.
“‘E’s sleepin’ out an’ far to-night”, the Colour-Sergeant said.
“I’ve drunk ‘is beer a score o’ times”, said Files-on-Parade.
“‘E’s drinkin’ bitter beer alone”, the Colour-Sergeant said.
They are hangin’ Danny Deever, you must mark ‘im to ‘is place,
For ‘e shot a comrade sleepin’ — you must look ‘im in the face;
Nine ‘undred of ‘is county an’ the regiment’s disgrace,
While they’re hangin’ Danny Deever in the mornin’.

“What’s that so black agin’ the sun?” said Files-on-Parade.
“It’s Danny fightin’ ‘ard for life”, the Colour-Sergeant said.
“What’s that that whimpers over’ead?” said Files-on-Parade.
“It’s Danny’s soul that’s passin’ now”, the Colour-Sergeant said.
For they’re done with Danny Deever, you can ‘ear the quickstep play,
The regiment’s in column, an’ they’re marchin’ us away;
Ho! the young recruits are shakin’, an’ they’ll want their beer to-day,
After hangin’ Danny Deever in the mornin’.

 

5.Dedication

To the City of Bombay

The Cities are full of pride,
Challenging each to each –
This from her mountain-side,
That from her burthened beach.

They count their ships full tale –
Their corn and oil and wine,
Derrick and loom and bale,
And rampart’s gun-flecked line;
City by City they hail:
“Hast aught to match with mine?”

And the men that breed from them
They traffic up and down,
But cling to their cities’ hem
As a child to their mother’s gown.

When they talk with the stranger bands,
Dazed and newly alone;
When they walk in the stranger lands,
By roaring streets unknown;
Blessing her where she stands
For strength above their own.

(On high to hold her fame
That stands all fame beyond,
By oath to back the same,
Most faithful-foolish-fond;
Making her mere-breathed name
Their bond upon their bond.)

So thank I God my birth
Fell not in isles aside –
Waste headlands of the earth,
Or warring tribes untried –
But that she lent me worth
And gave me right to pride.

Surely in toil or fray
Under an alien sky,
Comfort it is to say:
“Of no mean city am I!”

(Neither by service nor fee
Come I to mine estate –
Mother of Cities to me,
For I was born in her gate,
Between the palms and the sea,
Where the world-end steamers wait.)

Now for this debt I owe,
And for her far-borne cheer
Must I make haste and go
With tribute to her pier.

And she shall touch and remit
After the use of kings
(Orderly, ancient, fit)
My deep-sea plunderings,
And purchase in all lands.
And this we do for a sign
Her power is over mine,
And mine I hold at her hands!

6. Edgehill Fight

Naked and gray the Cotswolds stand
Beneath the summer sun,
And the stubble fields on either hand
Where Sour and Avon run.
There is no change in the patient land
That has bred us every one.

She should have passed in cloud and fire
And saved us from this sin
Of war–red war–’twixt child and sire,
Household and kith and kin,
In the heart of a sleepy Midland shire,
With the harvest scarcely in.

But there is no change as we meet at last
On the brow-head or the plain,
And the raw astonished ranks stand fast
To slay or to be slain
By the men they knew in the kindly past
That shall never come again–

By the men they met at dance or chase,
In the tavern or the hall,
At the justice bench and the market place,
At the cudgel play or brawl–
Of their own blood and speech and race,
Comrades or neighbors all!

More bitter than death this day must prove
Whichever way it go,
For the brothers of the maids we love
Make ready to lay low
Their sisters’ sweethearts, as we move
Against our dearest foe.

Thank Heaven! At last the trumpets peal
Before our strength gives way.
For King or for the Commonweal–
No matter which they say,
The first dry rattle of new-drawn steel
Changes the world today!

7. England’s Answer

Truly ye come of The Blood; slower to bless than to ban;
Little used to lie down at the bidding of any man.
Flesh of the flesh that I bred, bone of the bone that I bare;
Stark as your sons shall be — stern as your fathers were.
Deeper than speech our love, stronger than life our tether,
But we do not fall on the neck nor kiss when we come together.
My arm is nothing weak, my strength is not gone by;
Sons, I have borne many sons, but my dugs are not dry.
Look, I have made ye a place and opened wide the doors,
That ye may talk together, your Barons and Councillors –
Wards of the Outer March, Lords of the Lower Seas,
Ay, talk to your gray mother that bore you on her knees! –
That ye may talk together, brother to brother’s face –
Thus for the good of your peoples — thus for the Pride of the Race.
Also, we will make promise.  So long as The Blood endures,
I shall know that your good is mine:  ye shall feel that my strength is yours:
In the day of Armageddon, at the last great fight of all,
That Our House stand together and the pillars do not fall.
Draw now the threefold knot firm on the ninefold bands,
And the Law that ye make shall be law after the rule of your lands.
This for the waxen Heath, and that for the Wattle-bloom,
This for the Maple-leaf, and that for the southern Broom.
The Law that ye make shall be law and I do not press my will,
Because ye are Sons of The Blood and call me Mother still.
Now must ye speak to your kinsmen and they must speak to you,
After the use of the English, in straight-flung words and few.
Go to your work and be strong, halting not in your ways,
Balking the end half-won for an instant dole of praise.
Stand to your work and be wise — certain of sword and pen,
Who are neither children nor Gods, but men in a world of men!

 

8 Fuzzy-wuzzy

(Soudan Expeditionary Force)

We’ve fought with many men acrost the seas,
An’ some of ‘em was brave an’ some was not:
The Paythan an’ the Zulu an’ Burmese;
But the Fuzzy was the finest o’ the lot.
We never got a ha’porth’s change of ‘im:
‘E squatted in the scrub an’ ‘ocked our ‘orses,
‘E cut our sentries up at Sua~kim~,
An’ ‘e played the cat an’ banjo with our forces.
So ‘ere’s ~to~ you, Fuzzy-Wuzzy, at your ‘ome in the Soudan;
You’re a pore benighted ‘eathen but a first-class fightin’ man;
We gives you your certificate, an’ if you want it signed
We’ll come an’ ‘ave a romp with you whenever you’re inclined.

We took our chanst among the Khyber ‘ills,
The Boers knocked us silly at a mile,
The Burman give us Irriwaddy chills,
An’ a Zulu ~impi~ dished us up in style:
But all we ever got from such as they
Was pop to what the Fuzzy made us swaller;
We ‘eld our bloomin’ own, the papers say,
But man for man the Fuzzy knocked us ‘oller.
Then ‘ere’s ~to~ you, Fuzzy-Wuzzy, an’ the missis and the kid;
Our orders was to break you, an’ of course we went an’ did.
We sloshed you with Martinis, an’ it wasn’t ‘ardly fair;
But for all the odds agin’ you, Fuzzy-Wuz, you broke the square.

‘E ‘asn’t got no papers of ‘is own,
‘E ‘asn’t got no medals nor rewards,
So we must certify the skill ‘e’s shown
In usin’ of ‘is long two-’anded swords:
When ‘e’s ‘oppin’ in an’ out among the bush
With ‘is coffin-’eaded shield an’ shovel-spear,
An ‘appy day with Fuzzy on the rush
Will last an ‘ealthy Tommy for a year.
So ‘ere’s ~to~ you, Fuzzy-Wuzzy, an’ your friends which are no more,
If we ‘adn’t lost some messmates we would ‘elp you to deplore;
But give an’ take’s the gospel, an’ we’ll call the bargain fair,
For if you ‘ave lost more than us, you crumpled up the square!

‘E rushes at the smoke when we let drive,
An’, before we know, ‘e’s ‘ackin’ at our ‘ead;
‘E’s all ‘ot sand an’ ginger when alive,
An’ ‘e’s generally shammin’ when ‘e’s dead.
‘E’s a daisy, ‘e’s a ducky, ‘e’s a lamb!
‘E’s a injia-rubber idiot on the spree,
‘E’s the on’y thing that doesn’t give a damn
For a Regiment o’ British Infantree!
So ‘ere’s ~to~ you, Fuzzy-Wuzzy, at your ‘ome in the Soudan;
You’re a pore benighted ‘eathen but a first-class fightin’ man;
An’ ‘ere’s ~to~ you, Fuzzy-Wuzzy, with your ‘ayrick ‘ead of ‘air –
You big black boundin’ beggar — for you broke a British square!

9. Gunga Din

You may talk o’ gin and beer
When you’re quartered safe out ‘ere,
An’ you’re sent to penny-fights an’ Aldershot it;
But when it comes to slaughter
You will do your work on water,
An’ you’ll lick the bloomin’ boots of ‘im that’s got it.
Now in Injia’s sunny clime,
Where I used to spend my time
A-servin’ of ‘Er Majesty the Queen,
Of all them blackfaced crew
The finest man I knew
Was our regimental bhisti, Gunga Din.
He was “Din! Din! Din!
You limpin’ lump o’ brick-dust, Gunga Din!
Hi! slippery ~hitherao~!
Water, get it! ~Panee lao~! [Bring water swiftly.]
You squidgy-nosed old idol, Gunga Din.”

The uniform ‘e wore
Was nothin’ much before,
An’ rather less than ‘arf o’ that be’ind,
For a piece o’ twisty rag
An’ a goatskin water-bag
Was all the field-equipment ‘e could find.
When the sweatin’ troop-train lay
In a sidin’ through the day,
Where the ‘eat would make your bloomin’ eyebrows crawl,
We shouted “Harry By!” [Mr. Atkins's equivalent for "O brother."]
Till our throats were bricky-dry,
Then we wopped ‘im ’cause ‘e couldn’t serve us all.
It was “Din! Din! Din!
You ‘eathen, where the mischief ‘ave you been?
You put some ~juldee~ in it [Be quick.]
Or I’ll ~marrow~ you this minute [Hit you.]
If you don’t fill up my helmet, Gunga Din!”

‘E would dot an’ carry one
Till the longest day was done;
An’ ‘e didn’t seem to know the use o’ fear.
If we charged or broke or cut,
You could bet your bloomin’ nut,
‘E’d be waitin’ fifty paces right flank rear.
With ‘is ~mussick~ on ‘is back, [Water-skin.]
‘E would skip with our attack,
An’ watch us till the bugles made “Retire”,
An’ for all ‘is dirty ‘ide
‘E was white, clear white, inside
When ‘e went to tend the wounded under fire!
It was “Din! Din! Din!”
With the bullets kickin’ dust-spots on the green.
When the cartridges ran out,
You could hear the front-files shout,
“Hi! ammunition-mules an’ Gunga Din!”

I shan’t forgit the night
When I dropped be’ind the fight
With a bullet where my belt-plate should ‘a’ been.
I was chokin’ mad with thirst,
An’ the man that spied me first
Was our good old grinnin’, gruntin’ Gunga Din.
‘E lifted up my ‘ead,
An’ he plugged me where I bled,
An’ ‘e guv me ‘arf-a-pint o’ water-green:
It was crawlin’ and it stunk,
But of all the drinks I’ve drunk,
I’m gratefullest to one from Gunga Din.
It was “Din! Din! Din!
‘Ere’s a beggar with a bullet through ‘is spleen;
‘E’s chawin’ up the ground,
An’ ‘e’s kickin’ all around:
For Gawd’s sake git the water, Gunga Din!”

10. If

 

If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or, being lied about, don’t deal in lies,
Or, being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise;

If you can dream – and not make dreams your master;
If you can think – and not make thoughts your aim;
If you can meet with triumph and disaster
And treat those two imposters just the same;
If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to broken,
And stoop and build ‘em up with wornout tools;

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breath a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: “Hold on”;

If you can talk with crowds and keep your virtue,
Or walk with kings – nor lose the common touch;
If neither foes nor loving friends can hurt you;
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run -
Yours is the Earth and everything that’s in it,
And – which is more – you’ll be a Man my son!

11. Loot

If you’ve ever stole a pheasant-egg be’ind the keeper’s back,
If you’ve ever snigged the washin’ from the line,
If you’ve ever crammed a gander in your bloomin’ ‘aversack,
You will understand this little song o’ mine.
But the service rules are ‘ard, an’ from such we are debarred,
For the same with English morals does not suit.
(~Cornet~: Toot! toot!)
W’y, they call a man a robber if ‘e stuffs ‘is marchin’ clobber
With the –
(~Chorus~) Loo! loo! Lulu! lulu! Loo! loo! Loot! loot! loot!
Ow the loot!
Bloomin’ loot!
That’s the thing to make the boys git up an’ shoot!
It’s the same with dogs an’ men,
If you’d make ‘em come again
Clap ‘em forward with a Loo! loo! Lulu! Loot!
(~ff~) Whoopee! Tear ‘im, puppy! Loo! loo! Lulu! Loot! loot! loot!

If you’ve knocked a nigger edgeways when ‘e’s thrustin’ for your life,
You must leave ‘im very careful where ‘e fell;
An’ may thank your stars an’ gaiters if you didn’t feel ‘is knife
That you ain’t told off to bury ‘im as well.
Then the sweatin’ Tommies wonder as they spade the beggars under
Why lootin’ should be entered as a crime;
So if my song you’ll ‘ear, I will learn you plain an’ clear
‘Ow to pay yourself for fightin’ overtime.
(~Chorus~) With the loot, . . .

Now remember when you’re ‘acking round a gilded Burma god
That ‘is eyes is very often precious stones;
An’ if you treat a nigger to a dose o’ cleanin’-rod
‘E’s like to show you everything ‘e owns.
When ‘e won’t prodooce no more, pour some water on the floor
Where you ‘ear it answer ‘ollow to the boot
(~Cornet~: Toot! toot!) –
When the ground begins to sink, shove your baynick down the chink,
An’ you’re sure to touch the –
(~Chorus~) Loo! loo! Lulu! Loot! loot! loot!
Ow the loot! . . .

When from ‘ouse to ‘ouse you’re ‘unting, you must always work in pairs –
It ‘alves the gain, but safer you will find –
For a single man gets bottled on them twisty-wisty stairs,
An’ a woman comes and clobs ‘im from be’ind.
When you’ve turned ‘em inside out, an’ it seems beyond a doubt
As if there weren’t enough to dust a flute
(~Cornet~: Toot! toot!) –
Before you sling your ‘ook, at the ‘ousetops take a look,
For it’s underneath the tiles they ‘ide the loot.
(~Chorus~) Ow the loot! . . .

You can mostly square a Sergint an’ a Quartermaster too,
If you only take the proper way to go;
~I~ could never keep my pickin’s, but I’ve learned you all I knew –
An’ don’t you never say I told you so.
An’ now I’ll bid good-bye, for I’m gettin’ rather dry,
An’ I see another tunin’ up to toot
(~Cornet~: Toot! toot!) –
So ‘ere’s good-luck to those that wears the Widow’s clo’es,
An’ the Devil send ‘em all they want o’ loot!
(~Chorus~) Yes, the loot,
Bloomin’ loot!
In the tunic an’ the mess-tin an’ the boot!
It’s the same with dogs an’ men,
If you’d make ‘em come again
(~fff~) Whoop ‘em forward with a Loo! loo! Lulu! Loot! loot! loot!
Heeya! Sick ‘im, puppy! Loo! loo! Lulu! Loot! loot! loot!

 

12. Mother o’ Mine

~

If I were hanged on the highest hill,
Mother o’ mine, O mother o’ mine!
I know whose love would follow me still,
Mother o’ mine, O mother o’ mine!

If I were drowned in the deepest sea,
Mother o’ mine, O mother o’ mine!
I know whose tears would come down to me,
Mother o’ mine, O mother o’ mine!

If I were damned of body and soul,
I know whose prayers would make me whole,
Mother o’ mine, O mother o’ mine!

13. The Answer

A Rose, in tatters on the garden path,
Cried out to God and murmured ‘gainst His Wrath,
Because a sudden wind at twilight’s hush
Had snapped her stem alone of all the bush.
And God, Who hears both sun-dried dust and sun,
Had pity, whispering to that luckless one,
“Sister, in that thou sayest We did not well –
What voices heardst thou when thy petals fell?”
And the Rose answered, “In that evil hour
A voice said, `Father, wherefore falls the flower?
For lo, the very gossamers are still.’
And a voice answered, `Son, by Allah’s will!’”

Then softly as a rain-mist on the sward,
Came to the Rose the Answer of the Lord:
“Sister, before We smote the dark in twain,
Ere yet the stars saw one another plain,
Time, Tide, and Space, We bound unto the task
That thou shouldst fall, and such an one should ask.”
Whereat the withered flower, all content,
Died as they die whose days are innocent;
While he who questioned why the flower fell
Caught hold of God and saved his soul from Hell.

14. The Ballad Of East And West

~

Oh, East is East, and West is West, and never the twain shall meet,
Till Earth and Sky stand presently at God’s great Judgment Seat;
But there is neither East nor West, Border, nor Breed, nor Birth,
When two strong men stand face to face,
tho’ they come from the ends of the earth!

Kamal is out with twenty men to raise the Border-side,
And he has lifted the Colonel’s mare that is the Colonel’s pride:
He has lifted her out of the stable-door between the dawn and the day,
And turned the calkins upon her feet, and ridden her far away.
Then up and spoke the Colonel’s son that led a troop of the Guides:
“Is there never a man of all my men can say where Kamal hides?”
Then up and spoke Mahommed Khan, the son of the Ressaldar:
“If ye know the track of the morning-mist, ye know where his pickets are.
At dusk he harries the Abazai — at dawn he is into Bonair,
But he must go by Fort Bukloh to his own place to fare,
So if ye gallop to Fort Bukloh as fast as a bird can fly,
By the favour of God ye may cut him off ere he win to the Tongue of Jagai.
But if he be past the Tongue of Jagai, right swiftly turn ye then,
For the length and the breadth of that grisly plain is sown with Kamal’s men.
There is rock to the left, and rock to the right, and low lean thorn between,
And ye may hear a breech-bolt snick where never a man is seen.”
The Colonel’s son has taken a horse, and a raw rough dun was he,
With the mouth of a bell and the heart of Hell
and the head of the gallows-tree.
The Colonel’s son to the Fort has won, they bid him stay to eat –
Who rides at the tail of a Border thief, he sits not long at his meat.
He’s up and away from Fort Bukloh as fast as he can fly,
Till he was aware of his father’s mare in the gut of the Tongue of Jagai,
Till he was aware of his father’s mare with Kamal upon her back,
And when he could spy the white of her eye, he made the pistol crack.
He has fired once, he has fired twice, but the whistling ball went wide.
“Ye shoot like a soldier,” Kamal said. “Show now if ye can ride.”
It’s up and over the Tongue of Jagai, as blown dustdevils go,
The dun he fled like a stag of ten, but the mare like a barren doe.
The dun he leaned against the bit and slugged his head above,
But the red mare played with the snaffle-bars, as a maiden plays with a glove.
There was rock to the left and rock to the right, and low lean thorn between,
And thrice he heard a breech-bolt snick tho’ never a man was seen.
They have ridden the low moon out of the sky, their hoofs drum up the dawn,
The dun he went like a wounded bull, but the mare like a new-roused fawn.
The dun he fell at a water-course — in a woful heap fell he,
And Kamal has turned the red mare back, and pulled the rider free.
He has knocked the pistol out of his hand — small room was there to strive,
“‘Twas only by favour of mine,” quoth he, “ye rode so long alive:
There was not a rock for twenty mile, there was not a clump of tree,
But covered a man of my own men with his rifle cocked on his knee.
If I had raised my bridle-hand, as I have held it low,
The little jackals that flee so fast were feasting all in a row:
If I had bowed my head on my breast, as I have held it high,
The kite that whistles above us now were gorged till she could not fly.”
Lightly answered the Colonel’s son: “Do good to bird and beast,
But count who come for the broken meats before thou makest a feast.
If there should follow a thousand swords to carry my bones away,
Belike the price of a jackal’s meal were more than a thief could pay.
They will feed their horse on the standing crop,
their men on the garnered grain,
The thatch of the byres will serve their fires when all the cattle are slain.
But if thou thinkest the price be fair, — thy brethren wait to sup,
The hound is kin to the jackal-spawn, — howl, dog, and call them up!
And if thou thinkest the price be high, in steer and gear and stack,
Give me my father’s mare again, and I’ll fight my own way back!”
Kamal has gripped him by the hand and set him upon his feet.
“No talk shall be of dogs,” said he, “when wolf and gray wolf meet.
May I eat dirt if thou hast hurt of me in deed or breath;
What dam of lances brought thee forth to jest at the dawn with Death?”
Lightly answered the Colonel’s son: “I hold by the blood of my clan:
Take up the mare for my father’s gift — by God, she has carried a man!”
The red mare ran to the Colonel’s son, and nuzzled against his breast;
“We be two strong men,” said Kamal then, “but she loveth the younger best.
So she shall go with a lifter’s dower, my turquoise-studded rein,
My broidered saddle and saddle-cloth, and silver stirrups twain.”
The Colonel’s son a pistol drew and held it muzzle-end,
“Ye have taken the one from a foe,” said he;
“will ye take the mate from a friend?”
“A gift for a gift,” said Kamal straight; “a limb for the risk of a limb.
Thy father has sent his son to me, I’ll send my son to him!”
With that he whistled his only son, that dropped from a mountain-crest –
He trod the ling like a buck in spring, and he looked like a lance in rest.
“Now here is thy master,” Kamal said, “who leads a troop of the Guides,
And thou must ride at his left side as shield on shoulder rides.
Till Death or I cut loose the tie, at camp and board and bed,
Thy life is his — thy fate it is to guard him with thy head.
So, thou must eat the White Queen’s meat, and all her foes are thine,
And thou must harry thy father’s hold for the peace of the Border-line,
And thou must make a trooper tough and hack thy way to power –
Belike they will raise thee to Ressaldar when I am hanged in Peshawur.”

They have looked each other between the eyes, and there they found no fault,
They have taken the Oath of the Brother-in-Blood on leavened bread and salt:
They have taken the Oath of the Brother-in-Blood on fire and fresh-cut sod,
On the hilt and the haft of the Khyber knife, and the Wondrous Names of God.
The Colonel’s son he rides the mare and Kamal’s boy the dun,
And two have come back to Fort Bukloh where there went forth but one.
And when they drew to the Quarter-Guard, full twenty swords flew clear –
There was not a man but carried his feud with the blood of the mountaineer.
“Ha’ done! ha’ done!” said the Colonel’s son.
“Put up the steel at your sides!
Last night ye had struck at a Border thief –
to-night ’tis a man of the Guides!”

Oh, East is East, and West is West, and never the twain shall meet,
Till Earth and Sky stand presently at God’s great Judgment Seat;
But there is neither East nor West, Border, nor Breed, nor Birth,
When two strong men stand face to face,
tho’ they come from the ends of the earth!

15. The Buddha at Kamakura

O ye who tread the Narrow Way
By Tophet-flare to Judgment Day,
Be gentle when the ‘heathen’ pray
       To Buddha at Kamakura!

To him the Way, the Law, apart,
Whom Maya held beneath her heart,
Ananda’s Lord, the Bodhisat,
       The Buddha of Kamakura.

For though he neither burns nor sees,
Nor hears ye thank your Deities,
Ye have not sinned with such as these,
       His children at Kamakura.

Yet spare us still the Western joke
When joss-sticks turn to scented smoke
The little sins of little folk
       That worship at Kamakura –

The grey-robed, gay-sashed butterflies
That flit beneath the Master’s eyes.
He is beyond the Mysteries
       But loves them at Kamakura.

And whoso will, from Pride released,
Contemning neither creed nor priest,
May feel the Soul of all the East
       About him at Kamakura.

Yea, every tale Ananda heard,
Of birth as fish or beast or bird,
While yet in lives the Master stirred,
       The warm wind brings Kamakura.

Till drowsy eyelids seem to see
A-flower ‘neath her golden htee
The Shwe-Dagon flare easterly
       From Burmah to Kamakura,

And down the loaded air there comes
The thunder of Thibetan drums,
And droned — “Om mane padme hums” –
       A world’s-width from Kamakura.

Yet Brahmans rule Benares still,
Buddh-Gaya’s ruins pit the hill,
And beef-fed zealots threaten ill
       To Buddha and Kamakura.

A tourist-show, a legend told,
A rusting bulk of bronze and gold,
So much, and scarce so much, ye hold
       The meaning of Kamakura?

But when the morning prayer is prayed,
Think, ere ye pass to strife and trade,
Is God in human image made
       No nearer than Kamakura?

16. The Disciple

He that hath a Gospel
To loose upon Mankind,
Though he serve it utterly–
Body, soul and mind–
Though he go to Calvary
Daily for its gain–
It is His Disciple
Shall make his labour vain.

He that hath a Gospel
For all earth to own–
Though he etch it on the steel,
Or carve it on the stone–
Not to be misdoubted
Through the after-days–
It is His Disciple
Shall read it many ways.

It is His Disciple
(Ere Those Bones are dust )
Who shall change the Charter,
Who shall split the Trust–
Amplify distinctions,
Rationalize the Claim;
Preaching that the Master
Would have done the same.

It is His Disciple
Who shall tell us how
Much the Master would have scrapped
Had he lived till now–
What he would have modified
Of what he said before.
It is His Disciple
Shall do this and more….

He that hath a Gospel
Whereby Heaven is won
( Carpenter, or cameleer,
Or Maya’s dreaming son ),
Many swords shell pierce Him,
Mingling blood with gall;
But His Own Disciple
Shall wound Him worst of all!

17. The Explanation

Love and Death once ceased their strife
At the Tavern of Man’s Life.
Called for wine, and threw — alas! –
Each his quiver on the grass.
When the bout was o’er they found
Mingled arrows strewed the ground.
Hastily they gathered then
Each the loves and lives of men.
Ah, the fateful dawn deceived!
Mingled arrows each one sheaved;
Death’s dread armoury was stored
With the shafts he most abhorred;
Love’s light quiver groaned beneath
Venom-headed darts of Death.

Thus it was they wrought our woe
At the Tavern long ago.
Tell me, do our masters know,
Loosing blindly as they fly,
Old men love while young men die?

18. The Glory of the Garden

Our England is a garden that is full of stately views,
Of borders, beds and shrubberies and lawns and avenues,
With statues on the terraces and peacocks strutting by;
But the Glory of the Garden lies in more than meets the eye.

For where the old thick laurels grow, along the thin red wall,
You will find the tool- and potting-sheds which are the heart of all ;
The cold-frames and the hot-houses, the dungpits and the tanks:
The rollers, carts and drain-pipes, with the barrows and the planks.                                 

And there you’ll see the gardeners, the men and ‘prentice boys
Told off to do as they are bid and do it without noise;
For, except when seeds are  planted and we shout to scare the birds,
The Glory of the Garden it abideth not in words.

And some can pot begonias and some can bud a rose,
And some are hardly fit to trust with anything that grows;
But they can roll and trim the lawns and sift the sand and loam,
For the Glory of the Garden occupieth all who come.

Our England is a garden, and such gardens are not made
By singing:–”Oh, how beautiful!” and sitting in the shade,
While better men than we go out and start their working lives
At grubbing weeds from gravel-paths with broken dinner-knives

There’s not a pair of legs so thin, there’s not a head so thick,
There’s not a hand so weak and white, nor yet a heart so sick.
But it can find some needful job that’s crying to be done,
For the Glory of the Garden glorifieth every one.

Then seek your job with thankfulness and work till further orders,
If it’s only netting strawberries or killing slugs on borders;
And when your back stops aching and your hands begin to harden,
You will find yourself a partner in the Glory of the Garden.

Oh, Adam was a gardener, and God who made him sees
That half a proper gardener’s work is done upon his knees,
So when your work is finished, you can wash your hand and pray
For the Glory of the Garden, that it may not pass away!
And the Glory of the Garden it shall never pass away!

19. The Gods Of The Copybook Headings

As I pass through my incarnations in every age and race, I make my proper
prostrations to the Gods of the Market-Place.
Peering through reverent fingers I watch them flourish and fall,
And the Gods of the Copybook Headings, I notice, outlast them all.

We were living in trees when they met us. They showed us each in turn.
That Water would certainly wet us, as Fire would certainly burn:
But we found them lacking in Uplift, Vision and Breath of Mind,
So we left them to teach the Gorillas while we followed the March of Mankind.

We moved as the Spirit listed. They never altered their pace,
Being neither cloud nor wind-borne like the Gods of the Market-Place;
But they always caught up with our progress, and presently word would come
That a tribe had been wiped off its icefield, or the lights had gone out in
Rome.

With the Hopes that our World is built on they were utterly out of touch.
They denied that the Moon was Stilton; they denied she was even Dutch.
They denied that Wishes were Horses; they denied that a Pig had Wings.
So we worshipped the Gods of the Market Who promised these beautiful things.

When the Cambrian measures were forming, They promised perpetual peace.
They swore, if we gave them our weapons, that the wars of the tribes would
cease.
But when we disarmed They sold us and delivered us bound to our foe,
And the Gods of the Copybook Headings said: “Stick to the Devil you know.”

On the first Feminian Sandstones we were promised the Fuller Life
(Which started by loving our neighbour and ended by loving his wife)
Till our women had no more children and the men lost reason and faith,
And the Gods of the Copybook Heading said: “The Wages of Sin is Death.”

In the Carboniferous Epoch we were promised abundance for all,
By robbing selected Peter to pay for collective Paul; But, though we had
plenty of money, there was nothing our money could buy,
And the Gods of the Copybook Heading said: “If you don’t work you die.”

Then the Gods of the Market tumbled, and their smooth-tongued wizards
withdrew,
And the hearts of the meanest were humbled and began to believe it was true
That All is not God that Glitters, and Two and Two make Four-
And the Gods of the Copybook Headings limped up to explain it once more.

As it will be in the future, it was at the birth of Man- There are only
four things certain since Social Progress began:-
That the Dog returns to his Vomit and the Sow returns to her Mire,

And the burnt Fool’s bandaged finger goes wobbling back to the Fire;
And that after this is accomplished, and the brave new world begins

When all men are paid for existing and no man must pay for his sins,
As surely as Water will wet us, as surely as Fire will burn,
The Gods of the Copybook Headings with terror and slaughter return!

20. The Lost Legion

There’s a Legion that never was ‘listed,
That carries no colours or crest,
But, split in a thousand detachments,
Is breaking the road for the rest.
Our fathers they left us their blessing –
They taught us, and groomed us, and crammed;
But we’ve shaken the Clubs and the Messes
To go and find out and be damned
(Dear boys!),
To go and get shot and be damned.

So some of us chivy the slaver,
And some of us cherish the black,
And some of us hunt on the Oil Coast,
And some on — the Wallaby track:
And some of us drift to Sarawak,
And some of us drift up The Fly,
And some share our tucker with tigers,
And some with the gentle Masai
(Dear boys!),
Take tea with the giddy Masai.

We’ve painted The Islands vermilion,
We’ve pearled on half-shares in the Bay,
We’ve shouted on seven-ounce nuggets,
We’ve starved on a Seedeeboy’s pay;
We’ve laughed at the world as we found it –
Its women and cities and men –
From Sayyid Burgash in a tantrum
To the smoke-reddened eyes of Loben
(Dear boys!),
We’ve a little account with Loben.

The ends o’ the Earth were our portion,
The ocean at large was our share.
There was never a skirmish to windward
But the Leaderless Legion was there:
Yes, somehow and somewhere and always
We were first when the trouble began,
From a lottery-row in Manila,
To an I.D.B. race on the Pan
(Dear boys!),
With the Mounted Police on the Pan.

We preach in advance of the Army,
We skirmish ahead of the Church,
With never a gunboat to help us
When we’re scuppered and left in the lurch.
But we know as the cartridges finish,
And we’re filed on our last little shelves,
That the Legion that never was ‘listed
Will send us as good as ourselves
(Good men!),
Five hundred as good as ourselves.

Then a health (we must drink it in whispers)
To our wholly unauthorised horde –
To the line of our dusty foreloopers,
The Gentlemen Rovers abroad –
Yes, a health to ourselves ere we scatter,
For the steamer won’t wait for the train,
And the Legion that never was ‘listed
Goes back into quarters again!
‘Regards!
Goes back under canvas again.
Hurrah!
The swag and the billy again.
Here’s how!
The trail and the packhorse again.
Salue!
The trek and the laager again.

21. The miracles

I sent a message to my dear –
A thousand leagues and more to Her –
The dumb sea-levels thrilled to hear,
And Lost Atlantis bore to Her.

Behind my message hard I came,
And nigh had found a grave for me;
But that I launched of steel and flame
Did war against the wave for me.

Uprose the deep, by gale on gale,
To bid me change my mind again –
He broke his teeth along my rail,
And, roaring, swung behind again.

I stayed the sun at noon to tell
My way across the waste of it;
I read the storm before it fell
And made the better haste of it.

Afar, I hailed the land at night –
The towers I built had heard of me –
And, ere my rocket reached its height,
Had flashed my Love the word of me.

Earth sold her chosen men of strength
(They lived and strove and died for me)
To drive my road a nation’s length,
And toss the miles aside for me.

I snatched their toil to serve my needs –
Too slow their fleetest flew for me –
I tired twenty smoking steeds,
And bade them bait a new for me.

I sent the lightnings forth to see
Where hour by hour She waited me.
Among ten million one was She,
And surely all men hated me!

Dawn ran to meet me at my goal –
Ah, day no tongue shall tell again!
And little folk of little soul
Rose up to buy and sell again!

22. The Power Of The Dog

There is sorrow enough in the natural way
From men and women to fill our day;
And when we are certain of sorrow in store,
Why do we always arrange for more?
Brothers and Sisters, I bid you beware
Of giving your heart to a dog to tear.

Buy a pup and your money will buy
Love unflinching that cannot lie–
Perfect passion and worship fed
By a kick in the ribs or a pat on the head.
Nevertheless it is hardly fair
To risk your heart for a dog to tear.

When the fourteen years which Nature permits
Are closing in asthma, or tumour, or fits,
And the vet’s unspoken prescription runs
To lethal chambers or loaded guns,
Then you will find–it’s your own affair–
But…you’ve given your heart for a dog to tear.

When the body that lived at your single will,
With its whimper of welcome, is stilled (how still!);
When the spirit that answered your every mood
Is gone–wherever it goes–for good,
You will discover how much you care,
And will give your heart for the dog to tear.

We’ve sorrow enough in the natural way,
When it comes to burying Christian clay.
Our loves are not given, but only lent,
At compound interest of cent per cent.
Though it is not always the case, I believe,
That the longer we’ve kept ‘em, the more do we grieve:
For, when debts are payable, right or wrong,
A short-time loan is as bad as a long–
So why in Heaven (before we are there)
Should we give our hearts to a dog to tear?

23. The Sack of the Gods

~

STRANGERS drawn from the ends of the earth, jewelled and plumed were we;
I was Lord of the Inca race, and she was Queen of the Sea.
Under the stars beyond our stars where the new-forged meteors glow,
Hotly we stormed Valhalla, a million years ago!

Ever ‘neath high Valhalla Hall the well-tuned horns begin,
When the swords are out in the underworld, and the weary Gods come in.
Ever through high Valhalla Gate the Patient Angel goes
He opens the eyes that are blind with hate – he joins the hands of foes.

Dust of the stars was under our feet, glitter of stars above –
Wrecks of our wrath dropped reeling down as we fought and we spurned and we strove.
Worlds upon worlds we tossed aside, and scattered them to and fro,
The night that we stormed Valhalla, a million years ago!

They are forgiven as they forgive all those dark wounds and deep,
Their beds are made on the Lap of Time and they lie down and sleep.
They are forgiven as they forgive all those old wounds that bleed.
They shut their eyes from their worshippers; they sleep till the world has need.

She with the star I had marked for my own – I with my set desire –
Lost in the loom of the Night of Nights – lighted by worlds afire –
Met in a war against the Gods where the headlong meteors glow,
Hewing our way to Valhalla, a million years ago!

They will come back – come back again, as long as the red Earth rolls.
He never wasted a leaf or a tree. Do you think He would squander souls ?

24. The Song Of The Dead

Hear now the Song of the Dead — in the North by the torn berg-edges –
They that look still to the Pole, asleep by their hide-stripped sledges.
Song of the Dead in the South — in the sun by their skeleton horses,
Where the warrigal whimpers and bays through the dust
of the sear river-courses.

Song of the Dead in the East — in the heat-rotted jungle hollows,
Where the dog-ape barks in the kloof –
in the brake of the buffalo-wallows.
Song of the Dead in the West –
in the Barrens, the waste that betrayed them,
Where the wolverene tumbles their packs
from the camp and the grave-mound they made them;
Hear now the Song of the Dead!

I

We were dreamers, dreaming greatly, in the man-stifled town;
We yearned beyond the sky-line where the strange roads go down.
Came the Whisper, came the Vision, came the Power with the Need,
Till the Soul that is not man’s soul was lent us to lead.
As the deer breaks — as the steer breaks — from the herd where they graze,
In the faith of little children we went on our ways.
Then the wood failed — then the food failed — then the last water dried –
In the faith of little children we lay down and died.
On the sand-drift — on the veldt-side — in the fern-scrub we lay,
That our sons might follow after by the bones on the way.
Follow after — follow after! We have watered the root,
And the bud has come to blossom that ripens for fruit!
Follow after — we are waiting, by the trails that we lost,
For the sounds of many footsteps, for the tread of a host.
Follow after — follow after — for the harvest is sown:
By the bones about the wayside ye shall come to your own!

When Drake went down to the Horn
And England was crowned thereby,
‘Twixt seas unsailed and shores unhailed
Our Lodge — our Lodge was born
(And England was crowned thereby!)

Which never shall close again
By day nor yet by night,
While man shall take his life to stake
At risk of shoal or main
(By day nor yet by night).

But standeth even so
As now we witness here,
While men depart, of joyful heart,
Adventure for to know
(As now bear witness here!)

II

We have fed our sea for a thousand years
And she calls us, still unfed,
Though there’s never a wave of all her waves
But marks our English dead:
We have strawed our best to the weed’s unrest,
To the shark and the sheering gull.
If blood be the price of admiralty,
Lord God, we ha’ paid in full!

There’s never a flood goes shoreward now
But lifts a keel we manned;
There’s never an ebb goes seaward now
But drops our dead on the sand –
But slinks our dead on the sands forlore,
From the Ducies to the Swin.
If blood be the price of admiralty,
If blood be the price of admiralty,
Lord God, we ha’ paid it in!

We must feed our sea for a thousand years,
For that is our doom and pride,
As it was when they sailed with the ~Golden Hind~,
Or the wreck that struck last tide –
Or the wreck that lies on the spouting reef
Where the ghastly blue-lights flare.
If blood be the price of admiralty,
If blood be the price of admiralty,
If blood be the price of admiralty,
Lord God, we ha’ bought it fair!

25. Tommy

I went into a public-’ouse to get a pint o’ beer,
The publican ‘e up an’ sez, “We serve no red-coats here.”
The girls be’ind the bar they laughed an’ giggled fit to die,
I outs into the street again an’ to myself sez I:
O it’s Tommy this, an’ Tommy that, an’ “Tommy, go away”;
But it’s “Thank you, Mister Atkins”, when the band begins to play,
The band begins to play, my boys, the band begins to play,
O it’s “Thank you, Mister Atkins”, when the band begins to play.

I went into a theatre as sober as could be,
They gave a drunk civilian room, but ‘adn’t none for me;
They sent me to the gallery or round the music-’alls,
But when it comes to fightin’, Lord! they’ll shove me in the stalls!
For it’s Tommy this, an’ Tommy that, an’ “Tommy, wait outside”;
But it’s “Special train for Atkins” when the trooper’s on the tide,
The troopship’s on the tide, my boys, the troopship’s on the tide,
O it’s “Special train for Atkins” when the trooper’s on the tide.

Yes, makin’ mock o’ uniforms that guard you while you sleep
Is cheaper than them uniforms, an’ they’re starvation cheap;
An’ hustlin’ drunken soldiers when they’re goin’ large a bit
Is five times better business than paradin’ in full kit.
Then it’s Tommy this, an’ Tommy that, an’ “Tommy, ‘ow’s yer soul?”
But it’s “Thin red line of ‘eroes” when the drums begin to roll,
The drums begin to roll, my boys, the drums begin to roll,
O it’s “Thin red line of ‘eroes” when the drums begin to roll.

We aren’t no thin red ‘eroes, nor we aren’t no blackguards too,
But single men in barricks, most remarkable like you;
An’ if sometimes our conduck isn’t all your fancy paints,
Why, single men in barricks don’t grow into plaster saints;
While it’s Tommy this, an’ Tommy that, an’ “Tommy, fall be’ind”,
But it’s “Please to walk in front, sir”, when there’s trouble in the wind,
There’s trouble in the wind, my boys, there’s trouble in the wind,
O it’s “Please to walk in front, sir”, when there’s trouble in the wind.

You talk o’ better food for us, an’ schools, an’ fires, an’ all:
We’ll wait for extry rations if you treat us rational.
Don’t mess about the cook-room slops, but prove it to our face
The Widow’s Uniform is not the soldier-man’s disgrace.
For it’s Tommy this, an’ Tommy that, an’ “Chuck him out, the brute!”
But it’s “Saviour of ‘is country” when the guns begin to shoot;
An’ it’s Tommy this, an’ Tommy that, an’ anything you please;
An’ Tommy ain’t a bloomin’ fool — you bet that Tommy sees!

26. When Earth’s Last Picture Is Painted

When Earth’s last picture is painted
And the tubes are twisted and dried
When the oldest colors have faded
And the youngest critic has died
We shall rest, and faith, we shall need it
Lie down for an aeon or two
‘Till the Master of all good workmen
Shall put us to work anew
And those that were good shall be happy
They’ll sit in a golden chair
They’ll splash at a ten league canvas
With brushes of comet’s hair
They’ll find real saints to draw from
Magdalene, Peter, and Paul
They’ll work for an age at a sitting
And never be tired at all.
And only the Master shall praise us.
And only the Master shall blame.
And no one will work for the money.
No one will work for the fame.
But each for the joy of the working,
And each, in his separate star,
Will draw the thing as he sees it.
For the God of things as they are!